Charlize Theron’s latest film, “Atomic Blonde,” is aggressively stylistic. From the opening moments to the closing ones, it is a film focused on performance – the performance of the camera, the performance of the songs, the performance of the editing,… Read More ›
Luc Besson’s latest film, “Valerian and the City of a Thousand Planets” starts with such incredible promise. It begins with a tremendously beautiful look at how Alpha, a space station with life from all over the galaxy (or further), came… Read More ›
In an ideal world, a movie is satisfying on all levels – even big spectacle films like “Kong: Skull Island” ought to work across the board. We do not, however, live in an ideal world and therefore it is not… Read More ›
On the surface it may appear like the intense thrilled “10 Cloverfield Lane” and the comedy “Hello, My Name is Doris” have little in common. I believe nothing is further from the truth. Here are two films which very much… Read More ›
