
Movie Review: “Coming 2 America”
It is one of those notions that is too often true – while we may lead calls for change when we are young; as we age, we become more accepting of the status quo. Yes, we get older and the… Read More ›
It is one of those notions that is too often true – while we may lead calls for change when we are young; as we age, we become more accepting of the status quo. Yes, we get older and the… Read More ›
There is a line in “Moxie,” Amy Poehler’s new Netflix film, about celebrating “the end of the mediocre white dude’s chokehold on success.” As a strictly mediocre white dude, I applaud sentiment and simultaneously note that anything I write below… Read More ›
The new film from directors Anthony and Joe Russo, begins with the title character, Cherry, relating his story to someone. This is done via voiceover and we don’t see where Cherry is or to whom he’s speaking. Although other movies… Read More ›
There are excellent, in-depth, incredible cinematic takes on the drug war. When one watches writer/director/producer Nicholas Jarecki’s “Crisis” it is easy to see exactly how it attempts to fit in the pantheon. Unfortunately, even if one ignores the rest of… Read More ›
Hello and sort of welcome to a new “Lass is More.” Or maybe “welcome to a new sort of ‘Lass is More’” is a better way to start. I originally intended to talk about this movie in an episode of… Read More ›
In high school we read Tim O’Brien’s “The Things They Carried.” The book has stayed with me from that time to this. Now, the author is at the center of a new documentary, “The War and Peace of Tim O’Brien.”… Read More ›
There is a new John Hughes Blu-ray collection out today which includes five titles, two of which have never been released to Blu-ray before. Except for “She’s Having a Baby,” all the movies are great, but as you’ll hear, we… Read More ›
Generally speaking, movies give us someone(s) to root for. Whether that’s two people getting together or folks saving the world or cops catching a killer or any number of other scenarios, when we sit down to watch a movie we… Read More ›
Is it a happy movie or a sad one? That might feel like a pretty silly question, but it was the one that kept swirling around in my head as I watched Chloé Zhao’s latest film, “Nomadland.” Written and directed… Read More ›
Facts are only one part of a story. Feelings are crucial as well. A set of facts only help so much, there has to be something there, some sense of emotional depth, to complement those facts. But what about the… Read More ›
“Rear Window” is a great movie. Books have literally been written about its brilliance. One of the other interesting (and not always accurate) metrics of its greatness are the number of films which borrow some of the ideas of the… Read More ›
It is perhaps too obvious a statement to say that the way in which a story unfolds is crucial. Still, obvious or not, it remains true. I am thinking here, specifically, of a tale’s point of view. Whether it offers… Read More ›
We all know that dialogue is crucial in movies. The right words, said in the right way can make all the difference. What is often overlooked in such a discussion, however, is that the right bit of silence can matter… Read More ›
One of the terrible truths about being human and the world being imperfect is that just because you’re doing the best you can, just because you think you’re doing the right thing, just because you’re trying your hardest, it doesn’t… Read More ›
Out today on Blu-ray are Cameron Crowe’s “Elizabethtown” and Mark Osborne’s take on “The Little Prince.” Both movies are–as is the case with so many films–about people learning about themselves and growing. They are about the journey, literal and metaphorical…. Read More ›
We, as a nation, would choose to believe that we are, for lack of a better term, the chosen people. It is a notion that exists in much of our pomp and circumstance, much of the way we talk about… Read More ›
***I’m sure I’m going to spoil something for someone here. Don’t read if you want to go in without knowing anything at all.*** I am not quite sure how to start this review… On the one hand, I enjoyed writer-director… Read More ›
As you will hear, I thoroughly enjoyed Eliza Schroeder’s film, “Love Sarah.” The movie is about three women who finds themselves opening a bakery to honor a lost loved one. Schroeder tells us how the idea came about, how long… Read More ›
When we meet John “Deke” Deacon in writer-director John Lee Hancock’s “The Little Things,” he is working as a patrol deputy in part of California’s Central Valley. We soon learn that he took that job after leaving Los Angeles, where… Read More ›
The power of a movie doesn’t necessarily have to be in its offering a new idea. That can be a part of it, certainly, but execution is also crucial. The best ideas amount to nothing if they’re carried out badly… Read More ›
editor’s note: the below was originally written last year, as the film had been set for US release at that time. It is coming out, instead, this Friday and we are publishing the review to coincide with this new release… Read More ›
As a youth, Josh avoided Danny Kaye movies. It felt like there was always one that was on TV or about to be on TV and he skipped them. As he now realizes, that was a terribly grievous error. “The… Read More ›
At one point in writer-director Ramin Bahrani’s “The White Tiger,” which is out on Netflix today, the main character makes an oblique reference to “Slumdog Millionaire.” The point of it is to contrast one film with the other. This movie,… Read More ›