The rebooted “Hellboy” starts off with a voiceover by Ian McShane. Laying out the evil that Hellboy will be facing in this film, this opening feels absurdly rushed, as though McShane couldn’t wait to be done reading it, finish this… Read More ›
It seems so very improbable that after decades trying to make “The Man who Killed Don Quixote,” Terry Gilliam’s movie is going to finally hit theaters here in the United States. In fact, it is a remarkable enough occurrence that… Read More ›
When telling a story, the question of motivation is an important one – why do the people in it do what they do, what prompts them to follow a certain path. In movies (or books or TV, etc.), the reasons… Read More ›
It is a wonderful setup for a movie – two lonely houses on the prairie, no one around for miles, and some sort of evil spirit lurking. The spirit that comes at night, on the wind, and terrorizes the women… Read More ›
Up this week on the “Lass is More” podcast we have a discussion of the most recent collaboration between Will Ferrell and John C. Reilly — “Holmes & Watson.” The movie is out today on Blu-ray and DVD and… it… Read More ›
It may have taken six outings, but the Transformers film franchise finally got it right with “Bumblebee.” The movie is available on home video today, and so we’re taking a few minutes to discuss exactly why this entry succeeds where… Read More ›
There is something deeply unsettling about writer-director Max Minghella’s “Teen Spirit.” The film, which stars Elle Fanning, is Minghella’s first feature as a director and while it shows flashes of brilliance, they are not carried through. What starts as a fascinating… Read More ›
Once upon a time, there was a famous actress named Louise Brooks. This is true. When she wet to New York to study dancing, she was accompanied by a chaperone. This too, seemingly, is true. However, the new film written… Read More ›
There is a point in “Shazam!” when one of Batman’s batarangs is dropped to floor, harmlessly pinging out of site. This can be seen as a metaphor at this moment for the entirety of the DCEU – oh sure, the… Read More ›
At 158 minutes, writer-director S. Craig Zahler’s latest film, “Dragged Across Concrete,” is not exactly short. Instead—and happily—it is exactly how long it needs to be. Zahler has created a movie which is intricate and detailed, where nothing lags, where… Read More ›
In just a few weeks, the Jordan Peele produced update to “The Twilight Zone” is going to launch. It is impossible to know that fact and not look at Peele’s newest film, “Us,” and see it as him doing an… Read More ›
