There are excellent, in-depth, incredible cinematic takes on the drug war. When one watches writer/director/producer Nicholas Jarecki’s “Crisis” it is easy to see exactly how it attempts to fit in the pantheon. Unfortunately, even if one ignores the rest of… Read More ›
Steve McQueen’s new film, “Widows,” starts with a whiz-bang opening sequence, cutting between the home life of four thieves and the same thieves on the job. The jumps between the two are purposefully jarring, causing the audience to sit up… Read More ›
Suspension of disbelief. Some movies require it more than others. The entire “Fast and Furious” franchise asks that viewers have oodles upon oodles of it, and the eighth installment in the series, “The Fate of the Furious,” is certainly no… Read More ›
