There is a line in “Moxie,” Amy Poehler’s new Netflix film, about celebrating “the end of the mediocre white dude’s chokehold on success.” As a strictly mediocre white dude, I applaud sentiment and simultaneously note that anything I write below… Read More ›
The new film from directors Anthony and Joe Russo, begins with the title character, Cherry, relating his story to someone. This is done via voiceover and we don’t see where Cherry is or to whom he’s speaking. Although other movies… Read More ›
There are excellent, in-depth, incredible cinematic takes on the drug war. When one watches writer/director/producer Nicholas Jarecki’s “Crisis” it is easy to see exactly how it attempts to fit in the pantheon. Unfortunately, even if one ignores the rest of… Read More ›
Generally speaking, movies give us someone(s) to root for. Whether that’s two people getting together or folks saving the world or cops catching a killer or any number of other scenarios, when we sit down to watch a movie we… Read More ›
Is it a happy movie or a sad one? That might feel like a pretty silly question, but it was the one that kept swirling around in my head as I watched Chloé Zhao’s latest film, “Nomadland.” Written and directed… Read More ›
“Rear Window” is a great movie. Books have literally been written about its brilliance. One of the other interesting (and not always accurate) metrics of its greatness are the number of films which borrow some of the ideas of the… Read More ›
Comedy can be subjective. What one person finds funny, another will not. I have no doubt that it is possible to go out and read many reviews which describe “Barb & Star go to Vista Del Mar” as a “comedic… Read More ›
It is perhaps too obvious a statement to say that the way in which a story unfolds is crucial. Still, obvious or not, it remains true. I am thinking here, specifically, of a tale’s point of view. Whether it offers… Read More ›
We all know that dialogue is crucial in movies. The right words, said in the right way can make all the difference. What is often overlooked in such a discussion, however, is that the right bit of silence can matter… Read More ›
One of the terrible truths about being human and the world being imperfect is that just because you’re doing the best you can, just because you think you’re doing the right thing, just because you’re trying your hardest, it doesn’t… Read More ›
We, as a nation, would choose to believe that we are, for lack of a better term, the chosen people. It is a notion that exists in much of our pomp and circumstance, much of the way we talk about… Read More ›
***I’m sure I’m going to spoil something for someone here. Don’t read if you want to go in without knowing anything at all.*** I am not quite sure how to start this review… On the one hand, I enjoyed writer-director… Read More ›
When we meet John “Deke” Deacon in writer-director John Lee Hancock’s “The Little Things,” he is working as a patrol deputy in part of California’s Central Valley. We soon learn that he took that job after leaving Los Angeles, where… Read More ›
The power of a movie doesn’t necessarily have to be in its offering a new idea. That can be a part of it, certainly, but execution is also crucial. The best ideas amount to nothing if they’re carried out badly… Read More ›
editor’s note: the below was originally written last year, as the film had been set for US release at that time. It is coming out, instead, this Friday and we are publishing the review to coincide with this new release… Read More ›
At one point in writer-director Ramin Bahrani’s “The White Tiger,” which is out on Netflix today, the main character makes an oblique reference to “Slumdog Millionaire.” The point of it is to contrast one film with the other. This movie,… Read More ›
Any number of films exist seemingly with the goal of making the audience cry. Whether the tears come from upset or joy or one leading to the other or vice versa, all too often we get stories that seem to… Read More ›
There is unquestionably an argument to be made that we don’t need another movie telling us that building sentient robots—especially robots to fight wars—is a bad idea. We have seen the notion play out multiple times, and so often with… Read More ›
There are a large number of things which I don’t understand about the new Liam Neeson movie, “The Marksman.” I have questions about the number of roads that lead from Arizona to Chicago, the time traveling it would take to… Read More ›
In the leadup to Joe Biden’s November victory in the Presidential Election, I saw more than one article about arguments at The Villages, a massive retirement community in Florida. Trump, infamously, < a href=”https://www.nytimes.com/2020/06/28/us/politics/trump-white-power-video-racism.html”>retweeted one racist moment their (naturally, he… Read More ›
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